They fall into two basic categories: Those like the SL-1 and SL-3 that act as a medium between laptop and mixer, and heavier artillery like the TTM mixers which feature directly integrated Serato technology. Scratch Live users know that their mixing experience depends largely on their Rane hardware unit. 2.0 seems designed to further play catch up with competitors like Traktor, most notably in the realm of onboard FX and playlist management, as well as acting as a kind of opening salvo for multiple new Serato products lined up for 2010, including a custom record needle, a new Rane mixer and The Bridge, an interface that tantalizingly promises to link directly between Scratch Live and Ableton Live. Released in April, Scratch Live 2.0 follows last year's 1.9, which prominently featured a six-unit onboard sampler that could be triggered by keystroke or MIDI controller. Because its major selling point has always been its vinyl-mp3 telepathy, Serato has been able to take its time adding bells and whistles to what was initially a relatively stripped-down affair. Since then Serato has remained resolutely dedicated to preserving the record-mixing experience through custom timecoded vinyl. In May 2004 the appearance of Serato Scratch Live signaled an attempt to split the difference in a protracted DJ tug-of-war, fought between vinyl purists and digital acolytes, by offering real-time turntable control over audio files.
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